masai mara

Timing on Mother Zebra’s milk

zebra-1.jpg

Masai Mara, Kenya The zebra mother will generally have 1 foal a year, and can have one at any time. Even though the foal may begin eating grass after a few days it generally takes a year to wean them off of mothers milk. Given the similar size of these two and the rarity of twins my local guide said it’s likely this foal is from another mother.

Photographic details: I took many photos of this because I wanted to capture a few things and needed the right timing for everything to line up. The constant swish of the mothers tail often had it flying out of the frame; instead of the tail being flat and facing down I waited for it to swish up to the left to capture that interesting curl. At the same time photographers always want the eyes, here I have not only the mothers eye, but that of both the foals as well. Many photos were taken, but this is the only one that made the cut. I often pay attention to the rule of thirds, but this time with the way the mother and the foal fit in a ying and yang kind of way I have a fair bit of symmetry. Artistically speaking, when you have symmetry like this you have licence to start centering your subjects and you get to throw the rule of thirds away.

If you like this please share!

Related: I've got 8 people signed on for my Kenya & Tanzania Photo Safari in January, there is guaranteed window room for everyone and I've got a few spots left! http://www.kylefoto.com/photographic-african-safaris/

Prints are available at smugmug: http://kylefoto.smugmug.com/Animals/Africa/19644918_hpCKDK#1555914888_M42JL7j

Giraffe Silhouette

GIRAFFESILHOUETTE-1.jpg

Masai Mara, Kenya, Africa The dramatic skies of the Masai Mara were surrounding us towards the sunset hours in Kenya. After a day of seeking out cheetahs, elephants and leopards we had time to observe this giraffe browsing along the hilltop amongst the iconic shape of the Euphobia tree.

Photographic Details: Silhouettes are some of the most illustrative and powerful compositional elements in a photographers repertoire. Throwing away the distraction of colour texture and exposure you are simply left with a figure that forces the viewer to concentrate on body language, posture, and shape. With the lack of detail the viewer’s imagination is put to work perhaps causing them to linger a little longer. In addition a silhouette photo like this provides a stark contrast in detail with the perfectly exposed sky (underexposed by two stops) all the textures and beauty in the cloud formation is preserved in a hyper real fashion.

There wasn’t as much colour as I liked so I employed some colour graduated filters. I think of these as “sunglasses for my camera” that provide a colourful gradient that can enhance or even introduce colours much like putting on a pair of rose coloured sunglasses.

If you like this please share!

This is also available on my smugmug for print: http://kylefoto.smugmug.com/Animals/Africa/19644918_hpCKDK#1554516357_mBKRfCP

Gazelle Portrait, Laying low

africa-safari-1-10.jpg

Masai Mara, Kenya, Africa It was an extremely hot day in the Masai Mara of Kenya in early march. This being the dry season the temperature was reaching 35 degrees Celsius, and it was getting close to lunch. We pulled our packed lunches out under the only tree nearby. Standing alone in the plains its sparse shade was still a welcome retreat. Around noon most wildlife seeks the shade and I was surprised we didn’t find anything resting under this tree.

Click for Larger image

We reminisced about how the behaviour of the herd of Zebras earlier that day tipped us off that there was a lion kill nearby, and the incredible sunrise we were witness to. That’s when a Thompson’s gazelle appeared walking purposefully towards us. Oooh we stole his shade! It wasn’t long before he realized his spot was occupied and he just stood a good distance away, stomping every so often to ward off flies. The whole time we were there he just stared at us in hopes that we would disappear and he could get the only shade in sight.

Click for Larger image

Photographic details: This was the perfect opportunity to get a good portrait. There was nothing distracting in the background and this gazelle was practically posing. Usually it’s not safe to be outside the vehicle so I also had a rare chance to shoot this guy from a low angle. I laid flat on my belly with the camera touching the ground and my 400mm lens trained on him. I chose to compose him in the centre of the image because of the symmetry of his figure. This angle allowed me to shoot up at him and causes the ground to become mostly blurred. This creates a simpler image that focuses entirely on the animal itself.

Camera settings: Canon EOS 7D, 100-400mm L IS lens, ISO 100, 400mm, f5.6 1/400sec.

This is also available for print on my smugmug at: http://kylefoto.smugmug.com/Animals/Africa/19644918_hpCKDK#1543609000_tXNpXgN

For more on my photographic safaris see here! http://www.kylefoto.com/photographic-african-safaris/

The Better Picture: Secretary bird

picasa-collage1.jpg

The better Picture: Photographers take terrible photos too, they are not meant to be seen but are integral in getting a better picture. You have been out on Safari all day, taking hundreds of photos.  Earlier in the morning you happened to have gotten a photo of a secretary bird and now you have been presented with your umpteenth viewing of this very bird; this is an important moment. Now you could put your camera down or instead you could set up your camera in preparation for the decisive moment that might become your ultimate secretary bird photo and perhaps even your best photo of the entire safari.

You may have thought “I already have a plethora of secretary bird photos, do I really need to try again”? Perhaps you are at the point of believing that your previous secretary bird shots are fantastic but this is where you have to step back just a little and try and get past the cognitive bias that all your own photographs are inherently great. Take the Dunning Kruger effect, which theorizes our innate belief in the accuracy of our perspective.  Here is how it works in terms of photography, the first time we take a photo we believe it to be perfect however if we were to give it another try and perhaps even take a moment to place it under scrutiny; this here could transform our photo from a regular vacation shot to a work of art.  Therefore I would like you to always ask yourself this “how could I improve this shot?”

The thought process I described above is classic example and is exactly what happened with the secretary birds. Some people were excited by my first shot of the birds and by all means, technically speaking you could say that I executed the image correctly; I gave the bird room to look into the frame, used a wide open aperture with only the bird in focus and no background distractions were in site.   Due to the wide open aperture my background was softened and there was no accidental motion blur.  Yay!.... Oh Wait, then why is it so blah? The bird is just standing there, nothing else  is going on in the scene, that’s why!

Many photos later I was presented with the same view of a secretary bird, strolling through the grass, looking for her prey and in a split moment she decided to take off. With my camera already trained on her, I was able to track her movement and get the right action shot.

Now we’re talking, the subject is still given room to look into the frame, but now we have action and a dramatic sense of motion, not to mention the gazelles in the background to further express that this is Africa.  Now the photo functions as a more environmental portrait expressing that these animals share the same space. This is a much better photo.

I take a lot of terrible photos initially because I’m not sure if anything better will come along. I take terrible photos like these all the time, but the reason you don’t see them is because I only show my best work. I still want you to take the bad photos but I want you to realize it’s bad right when you shoot it, and expect to take a better one later when presented with the same opportunity. Hopefully the second time around, something magical happens and you are prepared to take the shot because you have a better understanding of what you’re looking for.

These photos were taken in the Masai Mara in Kenya while hosting a photographic Safari, if you like this check out the Africa gallery!