ship

The Perfect Exposure, Lyubov Orlova

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Antarctica The Lyubov Orlova, this ship named after a famous russian star had it’s hey day, but it certainly isn’t now. I had taken many voyages on this bucket of rust and I’ve decided to post about it given it’s intimate history with the Antarctic. It has recently been bought for $275,000 in the hopes that it’s worth more than that in scrap metal.

My first impression venturing on board was doing life boat drills noticing to my horror that the life boats were not covered. Knowing if this ship ever sunk in Antarctic waters during a strong storm I would be floating but I would still be exposed. I remember formulating a plan to jump inside the much more appropriate inflatable covered life rafts with the russian crew where I would certainly be warmer.

Running my hands along the outside of the of the ship was a very textural affair, 30 years of paint caked on the hull seemed to weigh the ship down and crust off with a slight touch. The skin of the hull was sunken in except for where there were reenforcing bulk heads, sticking out like the exposed ribs of a starving horse. I imagined how many bumps and scrapes this ship had to experience to have so many panels dented and bent inwards and had to stop thinking of such things as I listened to the creaks and groans echoing through the ship at night if I wanted any sleep.

Despite her crotchety demeanour, the Lyubov Orlova’s hallways echoed with the sound of joy and laughter. Filled with the gleeful faces of passengers who just saw their first humpback whale surfacing beside an iceberg, giggles of the people in the bar reminiscing over the farts and sneezes of the elephant seals. If the outer decks could speak they would talk of the feeling of awe so many thousands of people felt as they saw their first iceberg and the grand view of antarctica opened up before them. Who knows what this ship has seen, I’m sure if the cabins could speak they might talk of many nights of love an passion.

After Raw Processing

Before Raw processing:

Photographic Details: With this shot I got “the perfect exposure” not so bright that the highlights are overexposed, not too dark that there are no details in the shadows, this is what one would consider a perfect exposure and all without HDR. Yet the original image looks like garbage, it’s flat, has no contrast and the sky looks grey. I was there, and that sky was not grey! That old ship wasn’t bland dark blue it was royal blue and bright orange, and despite it’s age the fresh coat of white paint was stark white.

Thank goodness I shot this one in RAW.

Of course in lightroom I increased the contrast and selectively brightened the ship with the brush tool set to exposure. With about 4 adjustments I’ve gotten a wildly superior image that is far more like being there than the original image expresses.

I was also experimenting with a wide angle fisheye lens, I really loved the extreme distortion but quite frankly it’s a little too much and quite gimmicky. I do like how the distortion leads your eye to the centre of the image, and how it adds a sense of drama, but use this lens too much and you might bore your audience, use sparingly.

See the original shot before processing at www.kylefoto.com to compare!

For #wideanglewednesday curated by +Asif Patel

Breaking through the sea ice

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Svalbard, Norwegian Arctic, Ship: Akademik Sergey Vavilov Navigating open water is a great experience, but winding through big pans of sea ice, pushing them out of the way and slicing through other chunks is a past time I will never get tired of. Some chunks bounce off the hull making way for us with a thud, while others split right before our eyes with a very satisfying crunch and scraping sound. Thumps and bonks echo throughout the ship while mild tremors wiggle their way through the hull, making me smile as I watch my green tea on the table tremor with excitement. Having no worries about danger with the adept crew in the bridge and the ice strengthened hull I enjoy a day that is full of these little events as this landscape of little icy continents drift past.

Photographic details: Standing up along the wing bridge, I can get a grand view of the ship and the ice below. With an ultra wide 16-35mm lens I can capture a lot in just one view at 16mm. Positioning the bow of the ship as it pokes into the middle of the photo gives it a sense of motion as it travels towards the centre of the image. Having the ship take up less than a quarter of the image helps express the grand view presented in a scene like this. I love seeing the passengers looking out at the ice, they add a human element and help express that travelling in such a desolate looking place doesn’t have to be a lonely affair. I’m not some lone photographer who disappears to the edge of the earth while taking photos in complete isolation to magically appear with great images, I’m a social person and believe me I can’t do what I do completely on my own; everything I do in some part is a team effort.

1/160s f/8.0 ISO100 16mm

Antarctic underwater iceberg

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Sometimes a little forethought turns a concept into reality, a brief making of this photo: Ever since I first found out I was really going to Antarctica, I’ve had this shot in mind. I didn’t know for sure that I would be presented the chance to do this but because the concept existed in my imaginary portfolio it was ever-present in my mind.

 

To prepare for this I made a small investment in an ewa-marine underwater housing, It’s essentially a waterproof bag that will fit anything roughly shaped like an SLR camera.

How it looks  Canon 10-22mm lens at 14mm (equivalent 22mm) ISO 200 shutter priority 1/125 of a second 

Months later I was driving a zodiac boat outside the Lemaire channel in Antarctica, when this somewhat small piece of ice was floating by me. My imaginary photo flashed before me as I positioned the zodiac just right for the shot. I leaned over the side of the zodiac dipping my camera and lens half into the water. The camera is on shutter priority mode, so I don’t have to worry about managing any settings on my “camera-in-a-bag” in the -1°C water. This being on an ultra wide-angle lens I zoomed out to 14mm (full frame equivalent 22mm) which allowed me to capture a wide enough angle to encompass both the immediate foreground and the background. The underwater part of the image loses a lot of light compared to the above water portion, I had to significantly brighten the water with the original raw image. I expected to get this shot after nearly a hundred tries, but as luck had it this was about the 7th shot I took. Needless to say after I retrieved my camera and rinsed the salt water off the housing I was delighted with the results, and I hope you are too!